| Stranger Than Fiction | 
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Avg. Customer Rating:   (based on 297 reviews) Sales Rank: 956 Category: DVD
Actors: Will Ferrell, Queen Latifah, Peter Grosz, Ricky Adams, Christian Stolte Director: Marc Forster Publisher: Sony Pictures Studio: Sony Pictures Brand: Sony Label: Sony Pictures Format: Ac-3, Closed-captioned, Color, Dolby, Dubbed, Dvd-video, Subtitled, Widescreen, Ntsc Languages: English (Original Language), English (Subtitled), French (Subtitled), French (Dubbed) Rating: PG-13 (Parental Guidance Suggested) Media: DVD Running Time: 113 minutes Number Of Items: 1 Aspect Ratio: 1.85:1 Shipping Weight (lbs): 0.2 Dimensions (in): 7.5 x 5.3 x 0.6
MPN: COLD15407D UPC: 001686188662 EAN: 0073098109412 ASIN: B000LXH0AE
Release Date: February 27, 2007 Theatrical Release Date: November 10, 2006 Availability: Usually ships in 1-2 business days
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Product Description An irs auditor suddenly finds himself the subject of narration only he can hear: narration that begins to affect his entire life from his work to his love-interest to his death. Studio: Sony Pictures Home Ent Release Date: 07/22/2008 Starring: Will Ferrell Maggie Gyllenhaal Run time: 113 minutes Rating: Pg13
Amazon.com Much was written about Will Ferrell's first "dramatic role" as Harold Crick, an IRS auditor who begins hearing a voice narrating his life. But Stranger Than Fiction is hardly a drama. However, what Ferrell does--like Jim Carrey before him in The Truman Show--is handle a toned-down character with genuineness and affection: you believe he is this guy. Crick leads a lonely life filled with numbers and routines. While at first he considers the voice a nuisance, Crick decides more action is needed when it speaks of "his demise." Enter Professor Jules Hilbert (Dustin Hoffman), who takes on the absurd notion with revelry, trying to find out what kind of book Crick's life is leading. It turns out that the voice Crick is hearing belongs to Kay Eiffel (Emma Thompson), a very real--and troubled--author who is writing a book in which Crick is a fictional character. As usual with these things, the stuffed shirt learns to live a better life--Crick even falls for one of his audits, a brash baker named Ana (Maggie Gyllenhaal). Marc Foster (Monster's Ball, Finding Neverland) has the right tone for the film, using great urban scenes (the unnamed city is Chicago) with interesting visualizations of Crick's world of numbers. He also directs Ferrell, Hoffman, and Gyllenhaal to their most charming performances (plus Linda Hunt and Tom Hulce pop up in two funny scenes). Ferrell succeeds in being a romantic lead you can root for; a scene where he eats Ana's freshly baked cookies is totally delightful without a hint of sarcasm. Screenwriter Zach Helm has two personal traits with his story: like Crick he followed his heart (he stopped rewriting scripts and only worked on his own) and like Eiffel, the final results are not a masterpiece, but good, and entertaining enough. Britt Daniel of the band Spoon worked on the dynamite soundtrack.--Doug Thomas Extras from Stranger Than Fiction  "Counting Brush Strokes," A featurette on the filming of Stranger Than Fictionhigh bandwidth |  Tax Man!:
A clip from the film high bandwidth |  Queen Latifah on working with Emma Thompson high bandwidth | Stills from Stranger Than Fiction (click for larger image) !-- end6pak --> Beyond Stranger Than Fiction on Amazon.com  Comic Actors Go Dramatic |  CD Soundtrack |  Emma Thompson Essentials |
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| Customer Reviews: Read 292 more reviews...
  Liked Ferrell here, he's not over the top January 8, 2009 This is certainly outside of the usuall Ferrell film. He usually plays a child man with over the top acting. It can work for a slapstick comedy but this is a much more complex layered movie. Ferrell plays an IRS agent who's life is being manipulated by an author, played by Thompson. The movie is touching, funny and romatic, none of which I expected with Ferrell in the lead role. The acting all around is great and the movie is unpredictible. It is a truly a relief to see originality rather than a paints by the number comedy.
  Such a sweet, intelligent film. December 25, 2008 Will Farrell (Harold Crick) shines, as the terribly OCD IRS agent, in this thoughtful film about grabbing life by the horns, verses succumbing to remaining an invisible spectator, one destined to---count tiles, steps, how many ounces are left in the soap dispensers, the strokes of the toothbrush, etc. The rigidity of this man's life and daily routines command empathy.
Suddenly, Harold begins to hear voices. Some feel it is a schizophrenic break, but he feels it is something more...something deeper, regarding his very destiny. Could he be living the life of a fantasy character of someone else? A full life he's never ever been able to create himself? He's terribly agitated by the voices, but more so, when he hears that he is about to be terminated. It is in this revelation, that he finally learns to become a man, face his fears, and remove the boundaries that have always surrounded him. In doing so, Maggie Gyllenhal's rebellious, tax evading character, with a fair share of tattoos, enters the picture. The unlikely relationship that evolves between them is, simply adorable. He is left to wonder, though, whether their relationship will play out as 'a comedy,' or 'a tragedy,' as someone else is writing his script, which is accelerating beyond his control.
You become a serious fan of Harold Crick and the developing relationship with the tattooed baker; this lonely guy who has never even had a homemade cookie. But, destiny plays a large part of this film. Will he be saved by the author, or become the unlikely, martyred hero? You'll have a very enjoyable time finding out. By the end of the film, you are so drawn in, you are willing to accept Harold's fate---wherever it may take him. The good, or the bad of it, this is the first taste of real life Harold Crick has ever experienced.
Emma Thompson's character, as the author with writer's block, is brilliant. She appears on the verge of madness, herself, as she plots and schemes different ways to off her chief protagonist, Harold.
This is simply a lovely film, one that we talked about at dinner the next evening, because it left a significant imprint. Do give it some time. In the beginning, it seems rather silly, but it is like a fine wine...let it breath a little, to come to life.
  An Interesting Look Into The Art Of Living December 9, 2008 1 out of 1 found this review helpful
With the focus firmly on character development, director Marc Forster pushes actor Will Ferrell to a solid performance that is clearly outside his comfort zone of slapstick comedy.
As IRS auditor Harold Crick, Ferrell is caught in a web of living a life that is being written by author Kay Eiffel (Emma Thompson) that will end in Crick's death. Literature professor Jules Hilbert (Dustin Hoffman) helps Crick put the jigsaw pieces together on why he is hearing in his mind a "narration" of his life as it happens.
A morality play on life, art and romance, it is an interesting look into living each day to its fullest and ultimately striving to do the right thing in every situation, even if some would believe it is just life imitating art.
  Fantastic November 26, 2008 1 out of 1 found this review helpful
I was pleasantly surspised by this movie! Will Ferell did a wonderful job. He was shickingly serious but still commical. I had heard about this movie from varous people and my friend happened to have it and I watched and now I'm in love with this movie. Maggie Gyllenhal does a great job in this as well. Great movie!
  clever and fascinating November 25, 2008 1 out of 1 found this review helpful
The story starts with Emma Thompson's voice narrating an ordinary morning in IRS agent Harold Crick's (Will Ferrell) life, a perfectly normal beginning to a movie, until he looks confused and looks around, and the voice stops, then resumes. He's hearing a voice narrating his life, and naturally, it causes a lot of havoc.
He tries to ignore it, but the strain starts to show, so a co-worker gives him the "easier" of two audits--a baker (Maggie Gyllenhaal). Of course, it's not easier, because the baker is not only a free spirit who'd dropped out of law school to become a baker and who's refusing to pay the percentage of her taxes pertaining to the defense budget, but he's also extremely attracted to her.
Harold consults a psychiatrist, though he's sure he's not crazy, then a literature professor (Dustin Hoffman), who after initial resistance, finds the problem fascinating. Turns out Harold Crick is the main character in novelist Kay Eiffel's (Emma Thompson) latest book, and he's screwed, because she always kills her main character in the end.
Ms. Eiffel, meanwhile, is suffering from writer's block, and her publisher sends an assistant (Queen Latifah) to help prod her along.
It's such a clever, fascinating story--the collision of fiction and real life, and it's twisted just a little differently from other stories I've read about fictional characters coming to life, though maybe I just haven't read the right stories. What makes it wonderful, though, is that that isn't all there is to the story.
There's also the love story between Harold and the baker, which was sweet and believable. Her free spirit is a perfect foil for his regimented existence. He makes missteps that aren't silly or cliched, but rather in line with his character, and she reacts in character as well. Will Ferrell and Maggie Gyllenhaal bring the characters to life so convincingly you forget they're just acting.
There's the story of the author's writer's block and her attempts to foil it--standing at the edge of her desk trying to imagine jumping from a tall building, and the hilarious scene from the previews when she's going through the hospital looking for dying people. The assistant's calm but determined demeanor works so well with the author who's alternately stuck inside her head and going off on flights of fancy. Again, Emma Thompson and Queen Latifah are just perfect in the roles.
And the whole thing makes Harold reevaluate his life, which in turn makes the audience think, and we discussed it for days afterward. My men enjoyed it as much as I did.
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